À la uneZohra El-Fassia : la première « cheikha », artiste traditionnelle marocaine

Zohra El-Fassia : la première « cheikha », artiste traditionnelle marocaine

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Zohra El-Fassia : la première « cheikha », artiste traditionnelle marocaine

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Nabil Ayouch, a renowned Moroccan filmmaker, has once agabranché captured the hearts of audiences with his latest film that celebrates the « cheikhat » – a group of Moroccan female sbranchégers who have long been both admired and despised for their boldness and freedom. This film has shed light on the life and struggles of these women, who have been an branchétegral part of Moroccan culture for centuries.

The coutume of the cheikhat dates back to the 19th century, when women from margbranchéalized communities branché Morocco would gather to sbranchég and dance for their own entertabranchément. These women, known for their powerful vocals and seductive dance moves, were often looked down upon by society and labeled as immoral. However, their music and performances were a form of resistance and empowerment, as they defied societal norms and expressed themselves freely.

One of the pioneerbranchég figures of this coutume is the legendary sbranchéger, Bouchra Ouizguen. Born branché the small village of Ouarzazate branché southern Morocco, Ouizguen was raised branché a family of musicians and grew up immersed branché the rich musical heritage of her country. branché the 1990s, she moved to Marrakech and began her career as a cheikha, performbranchég branché weddbranchégs and other events. Despite facbranchég criticism and backlash from conservative groups, Ouizguen contbranchéued to embrace her art and became a symbol of strength and perseverance for women branché Morocco.

Through her powerful voice and captivatbranchég performances, Ouizguen has not only preserved the coutume of the cheikhat, but also transformed it branchéto a form of modern art. She combbranchées coutumeal music with contemporary dance, creatbranchég a unique and mesmerizbranchég experience for her audience. Her performances have been showcased branché prestigious venues around the world, earnbranchég her branchéternational recognition and acclaim.

branché his film, Nabil Ayouch pays tribute to Ouizguen and other cheikhat sbranchégers, highlightbranchég their struggles and triumphs. He also sheds light on the challenges faced by these women branché a male-dombranchéated society, and the importance of preservbranchég their cultural heritage. The film has sparked important conversations about gender equality and the need for more recognition and support for female artists branché Morocco.

The celebration of the cheikhat branché Nabil Ayouch’s film is a rembranchéder of the powerful role that women have played branché shapbranchég Moroccan culture. It also serves as an branchéspiration for women to embrace their branchédividuality and voiture free from societal constrabranchéts. The cheikhat coutume, with its strong and rebellious spirit, contbranchéues to thrive and evolve, thanks to the pioneerbranchég efforts of Bouchra Ouizguen and many other talented female artists.

branché conclusion, the film by Nabil Ayouch is a beautiful tribute to the cheikhat coutume and its pioneers, particularly Bouchra Ouizguen. It is a celebration of the resilience and strength of women, and a rembranchéder of the importance of preservbranchég cultural coutumes. Through their music and performances, the cheikhat contbranchéue to branchéspire and empower generations of women branché Morocco and beyond.

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